Agatha’s Almanac + After Eight + Q&A

Fiercely independent 90-year-old Agatha Bock lives alone on her ancestral farm. Despite health challenges, she defiantly tends to her land, cultivating heirloom seeds passed down through generations. Employing antiquated techniques, Agatha plants and harvests her expansive field of watermelons, beans, flowers, herbs, and vegetables entirely by hand. Without a car, cell phone, running water, or even a functioning landline, Agatha’s meditative processes and daily rituals form a vivid counterpoint to the rapid pace of contemporary life. Made intentionally with sensory sensitive viewers in mind, the film carves out a (mostly) calm space in a chaotic world.

Shot by an all-female crew—including director Amalie Atkins and cinematographer Rhayne Vermette— over six years on 16mm film, using a windup Bolex and an ArriSR2 studio camera, the project captures the handmade materiality inherent in both the medium of film and Agatha’s tactile world. Her century-old farmhouse, with its grey exterior, contrasts with the bursts of vibrant colour and texture inside. Unchanged since the 1950s, her home serves as a living archive of a vanishing era, rooted in her esoteric practices that predate modern conveniences.

Agatha’s Almanac serves as a powerful conduit for often-overlooked stories, amplifying voices and rural perspectives. Agatha’s life offers a window into the experiences of a nearly lost generation, whose values and ways of living are at risk of fading as the world rapidly changes.

Through interviews, archival footage and personal accounts, AFTER EIGHT uncovers the darker side of Britain’s post-pub curry culture. Telling the story of Satpal Ram, the film unveils a major miscarriage of justice and sparks reflection on the ongoing struggle for racial equality.